CHANEL‧香奈兒 創始人Cabrelle Chanel 一般人尊他為「Mademoiselle」, 而他的摯友則以「CoCo」相稱。
Cabrelle Chanel 出生於1883年8月19日法國人, 她出生時父母親還沒正式成婚,而母親死後父親沒有再出現過,她與兩個妹妹在孤兒院中度過,當她十七八歲時離開孤兒院, 她認識了她的第一個情人,他教導香奈兒認識這一個個世界, 並為他當時的另一個情人設計帽子。 之後她的第二個情人借錢讓他開第一家帽子店, 1911年至1912年香奈兒的帽子店生意蒸蒸日上。
香奈兒一直工作到八十八歲,1971年逝世, 留給後人永不褪色的傳奇。
CHANEL是第一個打破「珠寶迷思」的品牌,
以閃亮金鍊與雙C標誌吸引了全球仕女愛慕的CHANEL皮件, CHANEL可以展現出過人的優雅,並展露屬於個人的風格。
愛馬仕是於西元1837年由專精馬具製造的Thierry Hermes(1801年~1878年)在法國巴黎創立,在西元1918年HERMES開始生產精緻皮件及皮箱,HERMES獨特風尚由此誕生,並且旋及擴展到流行名品,珠寶銀器文具,絲巾等產品,,本來只是一個馬具工房。後來因為成為了拿破崙三世及俄國君主的供應商而開始發跡。
HERMES是於西元1837年由專精馬具製造的Thierry Hermes在法國巴黎創立,在西元1918年HERMES開始生產精緻皮件及皮箱,HERMES獨特風尚由此誕生,並且旋及擴展到流行名品,珠寶銀器文具,絲巾等產品。今日愛馬仕已擁有多種各式產品旗下80多家分子公司,從事生產批發零售與物流管理,並構成愛馬仕三大部份即Hermes Sellier(皮革用品),La Hontre Hermes(手錶)及Hermes Parfums(香水),並在全世界設有分公司。
英國時裝設計師,時裝界的“The mother of punk."” 。
出身於一個來自北英格蘭的工人家庭。
她曾是Punk運動的顯赫人物,她的成就要歸於她的第二任丈夫-英國著名搖滾樂隊“性槍手”的組建者和經紀人的啟發與指點。
她使搖滾具有了典型的外表,撕口子或挖洞的Ť卹,拉鍊,色情口號,金屬掛鍊等,並一直影響至今。
她和麥克拉文一起在倫敦國王大道開了她的第一家服裝店,店名為“盡情搖滾” ,
專門出售那些街頭少年們所穿著的服裝。
隨後他們的店幾經更名,並且專門為搖滾樂手和Punk製作服裝。
創造與叛逆一直是她生活中心的所在。
由於她的推動,Punk文化對高級時裝形成了革命性的影響。
由於她以徹底否定的粗暴方式給予法國傳統高級時裝以極大打擊,
同時也為英國時裝在國際時裝界爭得了一席之地,因此,英女皇為她頒發了金質勳章。
她始終是一名具有革命意義的服裝設計師。
多年以來被看作服裝界的另類人士,擁有狂放的想像和大膽的創造力。
她的那些式樣已經匯入主流的設計理念中:
不對稱T卹,剪破,磨損的毛邊布料,內衣外穿,短上衣下的緊身裝,克里尼迷你裙,緊身長筒裙,束帶式長褲,木屐式坡形高跟鞋... ... 。
她影響了幾代人,也影響了幾代設計師。她還曾為電影“離開拉斯維加斯”設計服裝,還為歌劇“三便士” , “村莊”設計過服裝。 放眼當代英國服飾界Vivienne Westwood是個中翹楚,她崛起於60年代末期。
她開設前衛的服飾店鋪,祭出反體制的權杖,引起世人注目。
英國給人的印象總是兩種極端:一端是英國的皇家形象,一板一眼;
另一端則是身體語言非常活潑的龐克,有著五顏六色的叛逆衣裝和髮型。
她的設計風格已經具有代表英國的地位,就像披頭四的音樂,迷你裙和街頭流行一般。
肉慾主義的裝著,浪蕩不拘的模樣,圖樣血淋淋的Ť卹,假皮的燈籠褲,
不受傳統束縛,絕對抵抗到底的態度,就是Vivienne Westwood演繹個人品牌時的重要戲碼,
例如以中小型加以轉化調味的服裝,印滿精神標語的Ť卹,撕裂海盜服的外觀, Vivienne Westwood也為70的搖磙與80年代的新浪漫主義做了明確的註解。 即使用“頹廢” , “變態” , “離經叛道”等字眼來形容Vivienne Westwood的服裝,也絕不過分。
因為她那種長短不一,稀奇古怪,沒有章法的服裝著實讓西方時裝界大吃一驚,
人們可以不恭維她的傑作,但不能不被她的獨特的設計思想而震懾。
不管對Vivienne Westwood的設計或褒或貶,但人們不得不承認她那罕見的,
乖僻古怪的設計思想對當今服裝界的貢獻。
她的設計迎合了八十年代時髦青年的歡迎,尤其是倫敦的青年“Punk” , “特迪哥兒” ,
使得Vivienne Westwood的服裝成為具有世界影響。
海福爾德評論說:
“她是過去十年裡英國最有影響的設計家,她的設計思想從根本上改變了我們的服裝觀念。 ”
儘管她的設計沒有成為巴黎時裝界的主宰,也未能形成潮流,
但她的影響主要是在觀念上的,她的設計觀不但極大地衝擊了傳統時裝界,而且代表了激進的年輕一代。
某種意義說,她像六十年代的瑪麗奎恩特一樣,給予這個時裝世界劇烈的撞擊。 如何評價Vivienne Westwood的設計呢?
對她的創作的評價,連她自己也說不清楚,或不耐煩。
她有藝術家的創作激情,但缺少政治家的清晰頭腦。
不過正如她所堅信的,文化反映了社會,而時裝則是社會文化中必然顯露的一部分,
她的創作所代表的正是現代社會的所謂“亞文化群。 ”
正是她的創作思想基於政治上的無政府主義和藝術上的反傳統精神,
八十年代,她以“Punk”為調色板,創造出為現代某些青年喜愛的服飾,她也曾因此被稱為“Punk”之母~
Dame Vivienne Westwood, DBE, RDI (born 8 April 1941) is a British fashion designer largely responsible for bringing modern punk and new wave fashions into the mainstream.
She is linked with the Sex Pistols via Malcolm McLaren and their SEX boutique on Kings Road, Chelsea in London during the 1970s. The shop was at 430 Kings Road.
Early lifeWestwood was born Vivienne Isabel Swire in the village of Tintwistle, Cheshire (now in the county of Derbyshire) on 8 April 1941. She studied at the Harrow School of Art, later to become the University of Westminster, for one term. Vivienne went on to attend Middlesex University Trent Park College and later taught at a primary school in North London. She loved teaching.
Malcolm McLarenVivienne's first husband was Derek Westwood. Their three-year marriage produced two children; a daughter named Rose and a son named Ben. Westwood then met Malcolm McLaren, who became the manager of the punk band The Sex Pistols. Westwood and McLaren lived in a council flat in Clapham and had a son they named Joseph. Westwood continued to teach until 1971, when Malcolm decided to open a shop at 430 King's Road - Let It Rock (also known as Sex and Sell, Too Fast To Live Too Young To Die, Seditionaries). Westwood began to sell her outrageous designs in the shop. During this period, Westwood, McLaren, and artist Jamie Reid were influenced by the Situationists. Westwood still owns this shop, which is now known as World's End, from which she sells her Anglomania label.
PunkThe English Punk style began to gain attention when the Sex Pistols wore clothes from Westwood and McLaren's shop at their first gig. The "punk style" included BDSM fashion, bondage gear, safety pins, razor blades, bicycle or lavatory chains on clothing and spiked dog collars for jewelry, as well as outrageous make-up and hair. Essential design elements include the adoption of traditional elements of Scottish design such as tartan fabric. Amongst the more unusual elements of her style is the use of historical 17th and 18th century cloth cutting principles, and reinterpreting these in, for instance, radical cutting lines to mens trousers. Use of these traditional elements make the overall effect of her designs more shocking. Other influences in Westwood's work have included Peru, the feminine figure, velvet and knitwear.
Westwood and McLaren worked together to revolutionize fashion and their impact is still strongly felt today. Westwood has five exclusively-owned shops; three in London, one in Leeds, and one in Milan. Franchise stores are located in Liverpool, Newcastle, Glasgow, three in Manchester and most recently, in FH Mall, Nottingham (20 March 2008), and in Blake Street, York (11 September 2008). Westwood's themes have included Savage (1981), Hobo and Buffalo (1982), and Pirate. Her latest collection was themed "Gold and Treasure, Adventure and Exploration."
Artistic collectionsThe first major Retrospective of her work was shown in 2004? at the Victoria and Albert Museum, London, and the National Gallery of Australia. The exhibition, created from approximately 145 complete outfits grouped into the themes from the early 70s to the present day, was drawn from her own personal archive and the V&A's extensive collection. They range from early punk garments to glamorous "historical" evening gowns.
Her Autumn/Winter 2005/06 Propaganda Collection drew inspiration from her archive, reinterpreting designs using Wolford exclusive knitting technology. Westwood has worked in close collaboration with Wolford since 2003. In 2006, she collaborated with Nine West, whose shoes are not designed directly by Westwood, however the Nine West brand name shares its label with Westwood. Her hats for Gold Label and MAN are created by Prudence Millinery for Vivienne Westwood.
In December 2003, she and the Wedgwood pottery company launched a series of tea sets featuring her designs.
Artistic influenceThroughout her career, Westwood has been influential in launching the careers of other designers into the British fashion industry. Most notably, she employed the services of Patrick Cox to design shoes for her Clint Eastwood collection in 1984. The result was a prototype for nine-inch-heeled shoes like the ones worn by supermodel Naomi Campbell when she fell during a Westwood fashion show in Paris in 1994.
In May 2006, Westwood wrote a poem and provided personal photographs eulogising Swallows Wood, a Nature Reserve near Tintwistle where she was born and grew up. The Reserve is threatened with destruction by the construction of the Longdendale Bypass. Also has her own perfume line
Sex and the CityDemonstrating the impact of her long career, Westwood's designs were featured in the 2008 film adaptation of the award winning television series Sex and the City.
In the movie, Carrie Bradshaw becomes engaged to long term lover Mr. Big. Being a writer at Vogue, her editor invites her to model wedding dresses for an upcoming article called "The Last Single Girl". Despite being invited to participate in the making of the movie, Westwood was unimpressed with the costuming by renowned stylist Patricia Field. She walked out of the film's London premiere after 10 minutes, publicly criticising the clothing featured as being frumpy and boring. The wedding dress has subsequently become widely recognised as one of the movie's most iconic features and has led Westwood to approach the producers about being involved in making a sequel.
Political involvementWestwood is also widely known as a political activist. On Easter Sunday 2008, she campaigned in person at the biggest Campaign for Nuclear Disarmament demonstration in ten years, at the Atomic Weapons Establishment, Aldermaston in Berkshire, UK.
In September 2005, Westwood joined forces with the British civil rights group Liberty and launched exclusive limited design T-shirts and baby wear bearing the slogan I AM NOT A TERRORIST, please don't arrest me. Westwood said she was supporting the campaign and defending habeas corpus. "When I was a schoolgirl, my history teacher, Mr. Scott, began to take classes in civic affairs. The first thing he explained to us was the fundamental rule of law embodied in habeas corpus. He spoke with pride of civilization and democracy. The hatred of arbitrary arrest by the lettres de cachet of the French monarchy caused the storming of the Bastille. We can only take democracy for granted if we insist on our liberty," she said. The sale of the T-shirts raised funds for the organisation. Dame Vivienne has recently stated on television that she has transferred her long standing support for the Labour Party to the Conservative Party, over the issues of civil liberties and human rights.
RecognitionIn 2007 Glossopdale Community College named one of its newly created houses, Westwood, after Vivienne. Westwood accepted a DBE in the 2006 New Year's Honours List for services to fashion, and has thrice earned the award for British Designer of the Year. On a more personal level, Westwood is the godmother of highfashion model and socialite lady Elissa Spencer-Wilhelmsen Ainsworth, and was the one who discovered designer Rosamund Lodge-Ainsworth who happens to be Lady Elissa's sister-in-law, after marrying lord Philip Spencer-Wilhelmsen Ainsworth. Westwood and the bride designed the wedding dress and she attended the wedding with her sons.
ChildrenBen Westwood (photographer), son of Vivienne and Derek Westwood, is a photographer of erotica. Joseph Corre, son of Vivienne Westwood and Malcolm McLaren, is the founder of lingerie brand Agent Provocateur. Rose Westwood.
ControversyNotorious for going knicker-less, she caused a stir in 1992 when she came to collect the OBE, and twirled to reveal all. After being made a Dame in 2006 by the Prince of Wales she disclosed that she was knicker-less again.
擁有中國與美國血統、身為第三代華裔移民的安娜·蘇
1964年年生於底特律,還在小小年紀時,她已經將夢想設定在時裝設計上。
70年代,安娜·蘇到紐約的帕森斯設計學院深造,
畢業兩年之後做過一些運動服裝設計和為同事---時裝攝影師斯蒂文。
梅瑟爾(史蒂文Meisel)作自由譔稿人。
在著名的《時代》雜誌長篇累牘地刊載她的文章之後,她決心要心隨人願地將其全部精力投入自已的設計中去。
安娜·蘇最擅長於從大雜燴般的藝術形態中尋找靈感:
斯堪的那維亞的裝飾品、布魯姆伯瑞部落裝和高中預科生的校服都成為她靈感的源泉。
她所有的設計均有明顯的共性:
搖滾樂派的古怪與頹廢氣質。這使她成為模特與音樂家的最愛。
安娜·蘇的設計大膽,而且略帶一種毫不在意世俗眼光,這和她叛逆的性格不謀而合,
在簡約自然主義領導時尚潮流的今日,安娜·蘇卻逆流而上,
她的設計中洋溢著濃濃的複古氣息,
和絢麗奢華的獨特氣質:
刺繡、花邊、燙鑽、繡珠、毛皮等一切華麗的裝飾主義都集於她的設計之中。
Anna Sui (born August 4, 1964) is an American fashion designer. Her brand is recognized globally in the Americas, Europe, Asia and the Middle East. Her clothing, perfume, cosmetic, and accessories lines retail in her stores and independent boutiques in over 50 countries.
Sui is spearheading a Save the Garment Center campaign to preserve New York's Garment District.
Early lifeSui was born on August 4, 1964 in Detroit, Michigan. She took an interest in fashion at a very young age and began clipping fashion-magazine pages to fill her famous Genius Files. These have served as an inspiration for her line throughout her career. After moving to New York, she attended Parsons School of Design.
After leaving Parsons, she worked for a variety of junior sportswear companies. During this time she began designing clothing out of her apartment which retailed at locations such as Macy and Bloomingdale's. With the encouragement of friends Naomi Campbell and Linda Evangelista, Sui launched her first runway show in 1991. "That those professional beauties were then at the height of their fame helped stoke the reception Sui got from buyers and the news media," and also insured industry embrace of a talented niche designer. Following this incredible reception she opened a retail location at 113 Greene Street in New York City's Soho District. This shop, with its lavender walls, red floors, antique black furniture, and signature dolly head mannequins has become a staple of SOHO fashion and synonymous with the Anna Sui brand. As described in a recent Time article, "The stores have come to emphasize the epitome of culture in a continually shifting fashion world." Over her career, the Anna Sui brand has also grown internationally in the American, European, Asian and Middle Eastern markets. Her iconic fashion shows, with their much-anticipated rock music and background designs, routinely pack the Tent at Bryant Park during her prime time Wednesday slot at Fashion Week.
She was called a designer who "never panders" by The New York Times, and named to Time Magazine's list of this decade's top five fashion icons. In 2009, Sui won the CFDA Geoffrey Beene Lifetime Achievement Award (Council of Fashion Designers of America), which serves to honor contributions made to American fashion by outstanding individuals in the industry. Sui joins the ranks of Yves St Laurent, Giorgio Armani, Ralph Lauren, Diane von Furstenberg and Bill Blass, who are past recipients of the Lifetime Achievement Award.
In 2008, she was profiled in Newsweek Women and Leadership, and was recognized for her contribution to fashion at the Bravo A-list Awards. Anna Sui continues to design and manufacture her signature collection in her New York City headquarters on Fashion Avenue. There she has ardently fought to keep the industry alive and has spearheaded a campaign to Save the Garment Center,which was highlighted during Fashion Week in September, 2008.
Sui's designs attract many famous clients such as Paris Hilton, Patricia Arquette, Mischa Barton, Christina Ricci, Cher, Naomi Campbell, Sofia Coppola, Lindsay Lohan, Hilary Duff, Maria Sharapova, Nicole Richie, Liv Tyler, Courtney Love, and James Iha. She has also provided the costume designs for the anime series, Gankutsuou: The Count of Monte Cristo.
Dolly Girl by Anna SuiSui launched her a more youthful version of her fashion line called Dolly Girl by Anna Sui in 2007. A children line known as Anna Sui Mini debuted in early 2009.
Other LinesAnna Sui Shoes premiered on her runway for the fall collection. Manufactured in Venice, Italy, the shoe collection includes both day and evening styles, in velvet, silk, patent leather, snake and lizard skin, shearling and suede.
Her design versatility was further displayed when Sui was contracted by Samsung Electronics Co. to design cellular telephones.
Some of the things been doing over the past 20 years
MARTIN MARGIELA
1977 / 1979Royal Academy of Fine Arts, Fashion Department, Antwerp, Belgium.
1984 / 1987Jean Paul Gaultier, Design Assistant, Paris, France.
MAISON MARTIN MARGIELA
1988 Founding of Maison Martin Margiela (Neuf SAS) with Ms. Jenny Meirens. Headquarters established at 102 rue Réaumur, 75002 Paris. Walls and furniture are painted in white or covered in white cotton.
1988, October 23rd First Maison Martin Margiela collection for women’s ready-to-wear (SS 1989).
1989, June First ever winner of the ANDAM fellowship.
1990, March Maison Martin Margiela’s headquarters move to 13 boulevard Saint-Denis, 75002 Paris, in a six-room apartment painted entirely in white, with the chandeliers covered in white muslin.
1993, October 11th Presentation of Maison Martin Margiela’s “Retrospective” collection (SS 1994).
1994, April Maison Martin Margiela’s headquarters move to 2 bis passage Ruelle, 75018 Paris, in a former workshop. The atelier for the “Artisanal” production is now incorporated in the showroom.
1994, September 7th Simultaneous presentations in stores in Paris, Milan, New York, Tokyo, London, and Bonn substitute for the Paris fashion show (AW 1994-95).
1995, September / 1996, January Maison Martin Margiela exhibition at Palais des Beaux-Arts, Brussels.
1995, October Publication of a special edition of Street magazine (Japan) entirely dedicated to Maison Martin Margiela’s collections from SS 1989 up to AW 1995-96.
1996, September / 1997, January Participation in the Florence Biennale on Fashion & Art, “Visitors” section, Museo Bardini.
1997, May The plain white rectangular label is joined by a new label: a white rectangle printed in black with the numbers 0 to 23. The encircled number indicates which line of Maison Martin Margiela’s collection the garment or object is part of.
1997, June / AugustFirst solo Maison Martin Margiela exhibition, (9/4/1615), at the Museum Boijmans van Beuningen in Rotterdam. In 1999, this exhibition will travel to Kyoto (April), New York (May) and Tokyo (August).
1997, October Line 6 joins Maison Martin Margiela’s collections as a complimentary vision of femininity. In June 2004, Line 6 evolves into MM6 – Garments for ♀, and gets a new label.
1998, March Line 22 – A collection of shoes for women, joins Maison Martin Margiela’s collections.
1998, March 9th Presentation of the first Hermès women’s ready-to-wear collection designed by Martin Margiela. He will continue to serve as the artistic director of Hermès’ women’s collections until October 2003 (SS 2004).
1998, March 10th Presentation by Maison Martin Margiela of interpretations of the AW 1998-99 collection by Mark Borthwick, Jane How and Sydney Picasso.
1998, April Maison Martin Margiela is the curator of the first A Magazine.
1998, October Line 10 – The collection for men, joins Maison Martin Margiela’s collections. Line 13 – Objects and publications, begins with the publication of its first book: 2000-1 by Mark Borthwick.
1998, October 15th Presentation of Maison Martin Margiela’s 20th women’s ready-to-wear collection (SS 1999).
1999, March Publication of a second special edition of Street magazine dedicated to collections from SS 1996 up to SS 1999, including features on the exhibitions in Brussels, Florence and Rotterdam.
1999, NovemberWorldwide publication of a second book as part of Line 13, compiling the two Street magazine special volumes on Maison Martin Margiela.
1999, December 18th Maison Martin Margiela’s headquarters move to 175 faubourg Poissonnière, 75009 Paris. The new home is a large “maison de maître” standing in its own gardens in the Barbès area.
2000, September The first Maison Martin Margiela store opens in Tokyo. Located in the Ebisu area of the city, this former residence incorporates the offices and sales rooms of Kokonoe Corp Ltd (the joint venture company in charge of the Maison Martin Margiela brand in Japan), as well as a store on the ground floor. In February 2006, the store moves to another location in a former electrical products factory building, still in the Ebisu area.
2001, OctoberParticipation in Radical Fashion exhibition at the Victoria & Albert museum, London.
2002, February Maison Martin Margiela Brussels, the first store in Europe exclusively dedicated to Maison Martin Margiela’s collections, opens on rue de Flandre.
2002, June Maison Martin Margiela’s first Paris women’s store opens at 25 bis rue de Montpensier, next to the Palais Royal.
2002, July Renzo Rosso, owner and president of OTB (Only The Brave) Group and founder of Diesel, enters Neuf SAS as majority shareholder. 2002, August Maison Martin Margiela Sendai store opens in Japan. 2002, September The first ever Maison Martin Margiela store exclusively dedicated to men’s collections opens at 23 rue de Montpensier in Paris, nearby the women’s store. 2002, October Maison Martin Margiela Aoyama opens in Tokyo.
2003, September Maison Martin Margiela Osaka store opens in early September.
2003, October Line 4 – A wardrobe for women, joins the collections.
2004, April Maison Martin Margiela London store opens in Bruton Place, off London’s New Bond Street in a former artist’s atelier. The store then moves to Bruton Street in December 2008.
2004, July Line 14 – A wardrobe for men, joins the collections as a complement to Line 10.
2004, December 8th Maison Martin Margiela’s headquarters move to 163 rue Saint-Maur, 75011 Paris. The new home is a 3,000 square-meter former convent and instrial design school in the Oberkampf area.
2005, January Line 11 – A collection of accessories for women and men, joins the collections. Line 22 – A collection of shoes, now offers a range of shoes for men as well as women.
2005, September Maison Martin Margiela Grenelle store opens on the Paris left bank.
2005, October Maison Martin Margiela Taipei store opens in Taiwan. In December 2006, it becomes a shop-in-shop in the Sogo department store.
2005, October / November Maison Martin Margiela is given a carte blanche by ANDAM and presents its “Artisanal” collection in the windows of the ministère de la Culture et de la Communication at the Palais Royal.
2005, December Maison Martin Margiela opens its first American store in New York, in the West Village.
2006, January Maison Martin Margiela is the guest designer at the Pitti Immagine Uomo. Maison Martin Margiela becomes Correspondent Member of the Chambre Syndicale de la Haute Couture. First “Artisanal” presentation during the Haute Couture SS 2006 fashion week.
2006, June Maison Martin Margiela Hong Kong store’s future location presents An exhibition before Refurbishment.
2006, July Maison Martin Margiela Hong Kong store opens.
2007, February / March Maison Martin Margiela’s first exhibition in Italy is held at Galleria Carla Sozzani - Corso Como 10, Milan. The exhibition is centered on the Maison’s creative process, presenting its “Artisanal” collection for men and women since its creation in 1989.
2007, September Maison Martin Margiela Los Angeles store opens in Beverly Hills. The first Maison Martin Margiela store in Italy opens in Milan.
2007, October Line 8 – Eyewear collection, is introduced with the first model, “Incognito.”
2007, November Maison Martin Margiela Aoyama store moves its location to Omotesando.
2007, December Maison Martin Margiela Saint Petersburg store opens in Russia.
2008, March Maison Martin Margiela announces the signing of a partnership agreement with L’Oréal’s Luxury Products Division for the creation of a line of perfumes. Maison Martin Margiela collaborates with Cream magazine to publish their 9th issue: Maison Martin Margiela Edition 2008. The Defilé collection becomes a separate line in itself and bears the blank white rectangle label. From then on, Line 1 will have the number ‘1’ circled on its label.
2008, June / July Along with its partner I.T., Maison Martin Margiela presents its first exhibition in Greater China at the 798 Gallery in the Dashanzi area of Beijing, revealing the different facets of its work through current and archive documents, garments and videos.
2008, July Line 12 – Maison Martin Margiela creates its first collection of fine jewelry.
2008, September Celebration show on September 29th, 2008 - 20th anniversary of Maison Martin Margiela.
2008, September / 2009, February Maison Martin Margiela 20 - The exhibition, a retrospective of the past 20 years, takes place at the Antwerp ModeMuseum (MoMu). In March 2009, the exhibition moves to Haus der Kunst, Munich (March / June 2009).
2008, October Maison Martin Margiela Kowloon store opens in Hong Kong.
2009, January After Christian Lacroix in 2008, the Cité de l’architecture & du patrimoine and ELLE Décoration offer a carte blanche to Maison Martin Margiela for the interior work of “La Suite,” a 220 square-meter apartment that formerly belonged to Jacques Carlu, architect of the palais Chaillot in the 1930’s, located opposite the Eiffel tower.
2009, March Maison Martin Margiela Munich store opens in Germany. The first Maison Martin Margiela store in United Arab Emirates opens in Dubai.
2009, April Salone del Mobile, Milan: Maison Martin Margiela introduces its concepts of interior architecture through an installation, Mat, Satiné, Brillant, which recreates the environment and atmosphere of its Interior Design workshop, using a variety of creative expressions of the Maison’s identity and philosophy.
2009, October Publication of Maison Martin Margiela, a book celebrating the Maison’s 20th anniversary, by Rizzoli.
2009, DecemberMaison Martin Margiela is in charge of the interior design of the “L’île aux oiseaux” suite at Les Sources de Caudalie in Bordeaux.
2010, JanuaryLaunch of (untitled), first women’s fragrance by Maison Martin Margiela.
1959年:出生,比利時 - 78年至1981年:英國皇家美術學院,比利時 - 1982年:黃金主軸獎,比利時 - 1985年:設置行動的BVBA的« 32 »由Ann Demeulemeester和帕特里克羅賓 - 秋/冬季八十八分之八十七,首部作品 - 1988年:引進的鞋和配件系列 - 1992年:在巴黎的首場演出 - 1996年:第一次安Demeulemeester男裝集合一起顯示在巴黎時裝週女裝 - 1996年:Ann Demeulemeester «表布朗什»家具牌照 - 501在«文化獎 96 »由比利時政府管制 - 1999:開幕Ann Demeulemeester店,利奧波德德Waelplaats,安特衛普 - 2005年:第一次出現在巴黎的男人 - 2006年:開放的Ann Demeulemeester店,表參道,東京。
對於Ann Demeulemeester,時尚是一種形式的溝通。她的複雜的語言對比涵蓋整個域的情緒。詩意的張力是高度 - 她的衣服透露許多層 «靈魂 »。他們是簡單的,就像一把刀很簡單。嚴重,但從來不嚴重,但細緻的實驗,但總是強烈的感官。
獎項: 1982年冠軍的'Gouden Spoel的競爭 1996年文化獎是比利時政府
1959 : Born, Belgium – 1978/81 : Royal Academy of Fine Arts, Belgium – 1982 : Golden Spindle Award, Belgium – 1985 : Setting-up of BVBA « 32 » by Ann Demeulemeester and Patrick Robyn – Autumn/Winter 87/88, first collection – 1988 : Introduction of the shoes and accessories collection – 1992 : first show in Paris – 1996 : Ann Demeulemeester first menswear collection is shown together with the womenswear during Paris fashion week – 1996 : Ann Demeulemeester « table blanche » furniture licence – Attribution of the « Culture Award 96 » by the Belgian governement – 1999 : Opening of the Ann Demeulemeester shop, Leopold De Waelplaats, Antwerp – 2005 : first men show in Paris – 2006 : opening of the Ann Demeulemeester shop, Omotesando, Tokyo.
For Ann Demeulemeester, fashion is a form of communication. Her complex language of contrasts covers a whole gamut of emotions. The tension is highly poetic – her clothes reveal many layers of « soul ». They are simple, the way a knife is simple. Serious but never severe, meticulous but experimental, strong but always sensual.
1994年4月,最高人民法院敞開了大門就在市中心曼哈頓拉法葉街並成為紐約市的家滑板文化。其核心是該團伙的叛逆青年運動員和藝術家紐約誰成為商店的工作人員,船員和客戶。
最高增長是體現在市中心的文化,發揮著不可或缺的一部分,它的不斷更新。速滑運動員,朋克,嘻哈流行元首 - 青年反文化的大 - 所有向最高法院所吸引。
雖然它成長為一個位於市中心的機構,最高法院成立本身作為一個品牌知道它的質量,款式和真實性。
在其16年的歷史,Supreme一直與一些我們這一代最突破性的設計師,藝術家,攝影師和音樂家 - 所有誰繼續幫助確定其獨特的身份和態度.
In April 1994,Supreme opened its door on Lafayette Street in downtown Manhattan and became the home of New York City skate culture.At its core was the gang of rebellious young New York skaters and artists who became the store's staff,crew and customers.
Supreme grew to be the embodiment of the downtown culture,playing an integral part in its constant regeneration.Skaters,punks,hip-pop heads - the young counter culture at large - all gravitated towards Supreme.
While it grew into a downtown institution,Supreme established itself as a brand know for its quality,style and authenticity.
Over its 16 years history,Supreme has worked with some of our generation's most groundbreaking designers, artists, photographers and musicians - all who have helped continue to define its unique identity and attitude.